The In-between

After around 13 years in design, starting with graphic work, drifting into product, dabbling in motion, I still find myself suspended between what pays the bills and what feeds the soul. This isn’t a manifesto. It’s just an honest attempt to name that quiet, restless space between art and design, and maybe make peace with it.

I've always thought there's something not quite right within me. Or maybe not wrong, exactly; just out of place. I can function in most rooms. I can talk the language, nod at the right times, laugh where I’m supposed to. But I carry this thing inside me, this quiet, unsorted yearning that doesn’t quite know where to sit.

When I was younger, I thought I wanted to be an artist. It sounded noble. Romantic, even. I imagined myself painting in a sunlit studio, shirts with paint stains, books everywhere, the occasional cigarette, the occasional melancholy. It’s a nice picture. People like that picture. But what they don’t tell you is how lonely art is. And not the beautiful, tragic kind of loneliness either, just the regular kind. The sort where you spend a whole day making something and at the end of it, no one’s asking for it. No one’s waiting. It doesn’t matter if you finish it or throw it into a drawer and forget about it.

And so I became a designer. Not all at once, of course. Slowly. Gradually. Almost by accident. One day, someone asked me if I could make a poster. Then it was a logo. Then a website. And before I knew it, I had a title, a retainer, a calendar that made a whimpering sound every morning. There were briefs and deadlines and review calls. There were wireframes and product mockups and feedback with too many exclamation marks. I was useful now. I was being paid. I was, how do they say it? Solving problems.

But here’s the thing: I didn’t stop making things for no reason. I didn’t stop opening blank canvases at 2 a.m. or scribbling ideas into crumpled notebooks. That part of me didn’t go away. It just got quieter. Like a child told to sit at the back of the class. Behave. Don’t interrupt.

It’s not indecision. It’s just where I live. I’ve stopped trying to justify it. I’ve stopped trying to brand myself, package myself, fit neatly into a discipline. Some of us are just made for the in-between.

It’s not indecision. It’s just where I live. I’ve stopped trying to justify it. I’ve stopped trying to brand myself, package myself, fit neatly into a discipline. Some of us are just made for the in-between.

There’s a part of me that still wants to make things no one asked for. Things that don’t convert, or scale, or align with brand identity. Things that have no audience and no market value. Things that are soft, unpolished, a little indulgent, maybe even a little silly. I miss those things. I miss the freedom of not being strategic. I miss starting something and not knowing what it’s supposed to become. These days, everything must be something. Everything must work. Everything must perform.

I’m not ungrateful. I know what this life has given me. A salary. A desk. Some stability. A reason to get out of bed. The faint illusion of purpose. But some days, I catch myself longing for the mess. The beautiful, pointless, joyful mess that came with making without a reason.

I’ve tried, over the years, to make peace between these two selves. The one who wants to be deliberate and professional and valuable. And the one who wants to sit cross-legged on the floor and make something just because it feels nice to make. But it’s not always easy. There are days when I look at my screen and see nothing. Not because I’m out of ideas, but because every idea I have feels like it needs to explain itself before it’s even allowed in.

There’s a kind of grief that comes with that. A quiet, persistent ache. Not loud enough to ruin your day, but present enough to tug at your sleeve. I feel it when I’m looking at old work. The kind I made when I didn’t know what I was doing, and didn’t care. Work that was messy and raw and maybe even terrible, but undeniably mine. Now I make things that are polished(mostly). Functional. Safe. And they do well, they get approved, they make sense. But sometimes, in the middle of a well-structured presentation, I feel like I’ve left a part of myself behind somewhere and forgotten where I put it.

Maybe the work is just… continuing.
Staying with the discomfort.
Making things even when they don’t make sense.

Maybe the work is just… continuing.
Staying with the discomfort.
Making things even when they don’t make sense.

I keep a folder on my laptop. It’s called “Misc.” Very original, I know. Inside are things I never finished, or never showed, or didn’t know what to do with. A bit of writing. A few poster drafts. A sketch that might have become something else if I’d let it. I open it sometimes like you’d visit an old friend who moved away. We don’t talk much, but it’s nice to know they’re still there.

Every now and then, I try to remind myself that the space between art and design is not a failure. It’s not indecision. It’s just where I live. I’ve stopped trying to justify it. I’ve stopped trying to brand myself, package myself, fit neatly into a discipline. Some of us are just made for the in-between. For the blurry edges. For work that isn’t quite this or that.

If I’m honest, I think that’s where all the interesting stuff happens anyway. In the in-between. In the things that don’t quite belong. In the overlaps and contradictions. In the things that are neither efficient nor entirely beautiful but still feel worth making.

There’s no neat ending to this. No moral. No grand conclusion. Just a quiet admission that I’m still figuring it out. Still toggling between layers. Still changing fonts halfway through. Still sketching things I might never show anyone. Still choosing colours based on how they make me feel, not because they tested well in some presentation I’ve already forgotten.

Maybe that’s the point. Maybe the work is just… continuing. Staying with the discomfort. Making things even when they don’t make sense. Sitting with that gentle tension between the head and the heart, between the canvas and the grid, between what I do for a living and what I do because I’d lose my mind otherwise.

And maybe, just maybe, that’s enough.

And maybe, just maybe, that’s enough.

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